
And just the inks (which I think I prefer):

Thanks for looking!
  Mitch Breitweiser
  Mitch Breitweiser  Steve Bryant
 Steve Bryant
  Nathan Fairbairn
  Nathan Fairbairn
  Tom Fowler
  Tom Fowler
  Francesco Francavilla
  Francesco Francavilla
  Mitch Gerads
  Mitch Gerads
  Mike Hawthorne
  Mike Hawthorne
  Dave Johnson
  Dave Johnson
  Andy Kuhn
  Andy Kuhn
  Dan McDaid
  Dan McDaid  Dan Panosian
  Dan Panosian
  Ramón K Pérez
  Ramón K Pérez
  Ron Salas
  Ron Salas
  Chris Samnee
  Chris Samnee
  Declan Shalvey
  Declan Shalvey
  Evan 'Doc' Shaner
  Evan 'Doc' Shaner
  Patrick Stiles
  Patrick Stiles

12 comments:
nice work nathan. i dig the colors. :)
Beautiful work, Nathan. The black and white is really good, which I think is a large part of why the colored one looks so great. Fantastic palette.
Awesome piece, Nathan! A real study of contrasts.
I love the b&w version as well but I actually prefer the coloured version just because it gives you a better sense of atmosphere.
Me too, i think i prefer the coloured version as you really did something interesting with the light-source that isn't in the black and whit version.
Fair play man.
Fantastic work, Nathan! Love those hands, and the brushwork.
mike
BEE-U-T-FUL sculpted coloring there, almost ala moebius (it's a compliment :D)
Love it!
Cheers,
Francesco
Aw, shucks, guys! Thanks! I'm glad so many of you dig the colors!
Great drama and way to incorporate the logo!
The colors really work!
Beautiful stuff, Nathan - you really nailed the louche, black-hearted bastard.
And I agree about the colours - they're great!
Awesome Nathan, you continue to be a master of the understated moment.
I also agree with Evan, the colors work so well because the black and white is so solid.
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